📖 Staff & Notes

Once you can read music, every piece of music in the world is talking to you. Every card here is clickable and audible.

① Notes and rests: the length of sound, the length of silence

Each card is one note value. Tap one: you hear four metronome clicks, then the note sounds for exactly its length — and a rest stays silent for exactly its length. ♩=80.

There is only one rule: each step down halves the value. Whole note (4 beats) → half note (2) → quarter note (1) → eighth (½) → sixteenth (¼). Add a dot and you get the original length plus half again (a dotted half note = 3 beats). Rests mirror notes one for one — silence is music too, Count Basie’s signature was playing less and leaving more.

② Four clefs: the same middle C, in four different places

A clef’s job is to tell you which line is which note. All four cards show the very same middle C — tap them and all four sound at exactly the same pitch.

Who uses them? Treble clef: violin, flute, clarinet, saxophone, the pianist’s right hand. Bass clef: cello, double bass, trombone, the pianist’s left hand. Alto clef (C clef on the third line): the viola’s own clef. Tenor clef (C clef on the fourth line): the upper register of cello, trombone and bassoon—— to avoid piling up ledger lines, the clef simply moves up a line. Whichever line the C clef points to is middle C.

③ Note names and solfège, side by side

A note name (C, D, E…) is a pitch’s ID card and never changes; solfège (do, re, mi…) comes in two flavours. Tap any cell to hear it:

Note nameFixed doNumbers (in C major)GermanFrequency (A=440)
Fixed do vs movable do: with fixed do, do is always C (the mainstream in classical training in Taiwan); with movable do, do is the tonic of whatever key you are in (in G major, G is sung as do). Numbered notation and jazz’s scale-degree thinking (1 = the root) both follow the movable logic. The numbers on this page are all movable: 1 is always the current tonic, so it works in any key.

④ Musical term lookup

The Italian you meet on a score. Type a keyword (in English or the original) to filter; for tempo markings, press 🔊 to hear a metronome at that speed.

⑤ A = 440: the world’s shared agreement

“A=440” means the reference note A vibrates 440 times a second (440 Hz). This standard was set by an international conference in 1939, but orchestras everywhere adjust it: European orchestras often use 442–443 for a brighter sound, period orchestras use 415 (a semitone lower, the Baroque standard), and most orchestras in Taiwan use 440–442.

🎧 Hear the difference: 438–442

440.0 Hz
What are beats? When two nearly identical frequencies sound together, the volume pulses — woo, woo — and the number of pulses per second equals the difference between them. 440 and 442 together give 2 pulses a second. Tuning is simply making those beats disappear—— the slower the beating, the closer you are; when it vanishes entirely, you are in unison. This is faster and more accurate than watching a tuner needle, and it is exactly how a musician’s ear gets trained.

🎼 Who gives the tuning note, and which note is it?

SituationReference noteWho gives itProcedure
Symphony orchestraA (concert pitch 440–442)Oboe principalThe oboe is the hardest instrument to adjust and its tone cuts through, so it gives the A → the concertmaster (first violin) confirms → woodwind and brass tune first → strings follow
Wind band / chamber windsB♭ (concert pitch)Principal clarinet or oboeMost wind instruments are B♭ transposing instruments, so a concert B♭ is the most natural note for everyone (a B♭ instrument reads it as C)
When a piano is presentThe piano’s APianoA piano cannot be retuned on the spot, so everyone tunes to the piano — true for jazz combos and recitals alike
Jazz comboA or B♭Piano or bassA quick check on stage and off you go; the ear keeps adjusting all night — a jazz player’s intonation is a moving target
A quick note for clarinettists: to sound a concert A, a B♭ clarinet fingers a written B (a major second higher); to sound a concert B♭, finger a written C. A cold instrument plays flat — warming it up before you walk on does more good than pulling the barrel.